for Nacoya Ingraham
i.
Lord enable me
to put her, to push her
in poetry
crate of unwanted kittens
under water, get rid of them
be rid of them
desire her as much
as such kittens
are undesirable
want to keep her as badly
as who chooses
to drown kittens
to remove them
from their lives
wanting their presence
in their lives, rubbed out
I want to draw her to keep
write this poem to make her last
want laughter, hers, in my heart,
bubbling with my blood
happiness like hers
to exist for
as many years between her and me
as existed, as separated,
Picasso and Marie-Thérèse Walter
like them, could we make art together
or will Nassau come between us,
get between us
not possessing Paris’ anonymity,
its devotion to art, its art-centredness
which permitted, still permits
sacrifices for art, for beauty
I’d like to take a stab
at a few portraits
as just-born, as fresh as she is
ii.
why was she touched
was she tickled
so open and trusting
laughter never shutting off
what if I were a dirty old man
this did not seem to matter
to phase her, or cause her to fear
her response, dear to me
by what was she so turned on though
and not superficially
react to such appearances
to such reactions usually
in this religious, constipated town
a smile could shut off
like a door in your face
but she flirted
with my heart and soul
happiness lasting, it seemed, eternally
I can teach her a few things
about words
is she open to learn
I’d do it willingly, gladly
my reward, her laughter
state of happiness
she invites me to visit
unusual joie de vivre
who could explain happiness
sufficient to mine
offset a sad state of affairs
alleviate fears
thick enough to cut with hack-saw
out of where did she come
into my sulking about life
believe in happiness
she seems to invite
I’m willing
iii.
beauty queen,
vivaciousness to burn
belief she has in happiness
I have lost, I’d like back
where able to locate it
locate happiness in Nassau
among these islands
in this land
with its layers of history
one burning the one
which went before
this town
with its cult of modernity
its gadgets, its gadgetry
as many, with as many to draw
as guns in the hands
in the days of cowboys
read me a poem
filled with promise
gift wrote it
I need a close look
a longer time
seventeen,
just out of diapers
just out of high school
tall and lovely
won’t want to push, to put
unhappiness up in her
happy as she is,
want her to affect me,
afflict me with laughter
it seems she was born
in Inagua in ’89
year I resigned from teaching
to go to Paris
where can I go
what can we do together
with the Punch listening, looking
what of choices
which are not scandalous
but here, what’s most innocent
can be twisted
I exist outside
of what is considered
this country’s culture
artist like me,
though so very much younger,
can we exit,
find a bench somewhere
to sit and spit out poems
bib so we won’t waste them
falling from our mouths
lap to fill with apples, plums
we picked an abundance
off of each other
iv.
someone to watch my films with,
to spend quality time with
a mystery that everyone’s
so tied up, chasing after what
round and round
in this small town
eager to catch up
but with who, with what
I have what it takes
with too few to join me,
in pursuit of perfection, art,
to refine creativity
creativity lost, tossed, to refine
enough of word-play
in need of someone
to play with, work with, stay with
how available is she
lonely days and lonely nights
to end with company
with companionship
in movies, in novels, in art, in frames
in the spot light, women with men
is my ball point pen
too slim for a woman, friend
to join me
stand with me, tall and side by side
with ink, slide forth onto paper
like a couple, winding down
a water slide
in a heap at the end of it
at the bottom of it
time for fun and frolic
v.
as un-guaranteed
as attachments are
I’m drawn to her
two people, able to click
and to cling,
free-will takes us apart,
pulls us apart
what could two hearts do
to join, to stay thus
I stay in tact, in touch with me
how though, do I contact another,
the other sex
I think of pairing off
with who is a fraction of my age
recipe for futility, receipt for futility,
this poem I write
wish it could be otherwise
wish she were different enough
to permit us friendship
someone to assist,
artist to uplift, to enlist
this army needs soldiers
even female ones
to carry on, to carry out
what was started last evening,
last millennium, in a past life
does she remember me
from a realm where
souls are all one same age
vi.
what of her emotional equipment
how many gears has she got
in addition to laughter, to offer
to share, to teach me
has she room for fair exchange
for all I’ve got to offer
where has she to put my parts,
my heart
what of a pen stand, a pencil holder,
a pencil sharpener
vii.
empty for what, for who
how much
can laughter occupy, fill up
her seventeen years
in my emptiness
filled or would I be empty still
at her tender age,
could she understand hurt,
life’s complexities
prepared or not
to entertain these
or dolly-house days
doll days, not too long ago
ended
I’m in this deep ocean
too long from shore
to be sure of my location
of how far I’ve come
from I’ve started
could she get on my boat,
ship I captain
join me in the cabin
or would she board in Inagua
just to get to Nassau
outer darkness,
where I am oftentimes,
come in search of poems
appetite for ice cream
for my scream
would she join me
beneath where
the train passes over
to holler unheard
cathartic ally
therapeutic ally
as in Cabaret
come to the cabaret with me,
to Germany
even without a film crew
dream-like, dream life, extreme life
no taste, distaste for what’s ordinary
extraordinary young woman
who makes me write,
wide awake all night
viii.
bubbling beautiful
bubbling beauty
until the sun came up
unable to see your face
unable to see you laughing
knowing you’d haunt me
haunt art for ages
small head, sweet face, tall girl
feet in slippers, almost bare
examine your toes, your thighs
slimness in pants
look at you hard
look at you soft
don’t want to lose you
or loose you
lines I’ve drawn
to draw you to me
poetry like strings
poetry has strings
to keep us attached
no strings attached
way to remain connected
ix
must write poem after poem
until a poem writes itself
like lightning writes
across night sky
similarly, signature of God
world in his hand, word his own
whatever he makes with hands,
with words
me as well as you
as well as poems
infinitely unique
infinitely well made
© Obediah Michael Smith, 2006
written between 2:10 a.m.
and 2:47 p.m. 09.09.06
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