Tuesday, April 29, 2008

Time In A Well
for Mervyn Morris & Hermione Baptiste

Down in that well, I could only look up. Water in the well, about my midsection. Beneath my feet, soggy sticks, rotting. To follow fashion, I’d followed my brother into the forbidden.

Out neighbour, Mr. Edgecombe, had given us permission to fetch water for our many goats and sheep, our pigs, our many chickens. There was a rope tied to the handle of a bucket to draw the water up. It would come up splashing. It was difficult to steady it. What ever was left in it, we’d pour into our empty, waiting buckets.

As if this was not exciting enough, as if we hadn’t enough to be grateful for, we had to descend into the well ourselves. It was Kevin’s idea. He went down, came up and I followed.

When my bare feet were resting upon the well’s very bottom, I was alone. Kevin had left. Immersed in the water in the well, almost up to my shoulders in it, my short pants and short-sleeved shirt as soaked as I was, I bent and I drank. This done, it was time to ascend.

Small as I was, its was not at all easy. Everywhere I placed a hand or a foot, attempting to climb, I slipped. The soaked quarried sides of the well provided no place to grip, no way to climb. What Kevin had done easily enough, was impossible for me.

That he was bigger, stronger, more developed, I had not ever admitted to myself. I never even admitted to myself that he could beat me. And though he always did, I thought he only did because I’d let him.

I needed him now. I was unable to pitch like a frog or slither like a snake, prisoner in this circle in quarry, in this circle in earth.

I hollered. I cried out. I panicked.

Was I relieved to see him staring down with the sky as if about him. The blue sky looked like something he was wearing.

He instructed me where to place my hands, my feet and I obeyed like one having something to prepare with a recipe to follow and following every step not wanting what’s being prepared to be spoiled.

I was used to defying him, disobeying him, disrespecting him. Always as if to say: Two years older than I was, who did he think he was.

But he knew the way, the route to salvation. He had ascended from where I was. I was in deep water, way below. He was on earth. He seemed as far away from where I was as heaven was from earth.

Following his instructions, I climbed. I was amazed to find myself ascending. “Put your hand here and your foot there.” And sure enough, within minutes my hand was in his and as effortlessly as he had hauled himself out, he hauled me out.

We were on the ground together. Buckets of water to return to the farm with, was enough after all. I was relieved. I was happy. I was crying still. I was sobbing. He was scolding and laughing and elated to have been relied upon as he was and to have rescued me.

In the well in water, in fear, I’d begun to imagine I’d remain down there until Mr. Edgecombe came, or daddy or dark or death.


© Obediah Michael Smith, 2004
12:41 a.m. 25/July/04

Monday, April 28, 2008

I Eat Wheat Bread

i.
Scaffolding
I write poems and afterwards
remove the paper

Lorna Goodison said I could
said I should

art like that of Gabriel Fauré's
like anything at all that is sublime
needs nothing to hold it up
or to stand on or to walk on

what is angelic, hovers just above the earth
is just above my head

heaven is as near, is that near
as well as above blue skies

I write poems and afterwards
remove the paper

Lorna Goodison said I could
said I should--so I must

walking on water
is a matter of trust

ii.
there are those
within this community about me
who cannot be trusted

who would steal Christ off the cross
as the saying goes
if the back is turned

had to choose quite early
to be vigilant

after my car was broken into
right under my nose

some hand had riffled through
and over turned
the things about the car inside

same hands had pulled the lever
released the hood
then lifted it

after my battery no doubt

then it was, when I looked out
shouted, and whomever it was, fled

whomever that was
and others of like mind
among the people of this community

there is among them
enemies, watching
awaiting opportunities
to strike against me
or snatch from me

iii.
stretch of black skin
enough to cover a drum
to cover someone
head to toe

however large they grow or go or bloat
woman with a child inside
in such a skin

imported from the continent
from the mother land

must keep skins like this on hand
to make a drum, to beat
to make someone tick

same skin, black skin
covers my dick

when it is excessively large
the head of it
is cherry ripe
is cherry red


© Obediah Michael Smith, 2008
3:16 p.m. 14.04.08

Sunday, April 27, 2008

Joyful Jacket
for Indira Gibson

sitting upon me
keeping me down
but what do I care

my blue jacket in a chair
you sitting on it
your weight upon it
crushing it

but not at all unlike
petals in abundance
upon petals

like autumn leaves
upon autumn leaves
layer upon layer

like snow fallen upon snow

similarly, weight of what’s lovely
upon a jacket
a gift, a piece of clothes
I cherish

what I cherish
upon what I cherish

instead of being made less
instead of subtracted from
I’m added to

I am made more
by your warm hips

all your weight
upon my warm jacket

however wrinkled or rumpled
just all right with me

however you crush it
however you leave it

as if it had been pressed
made fresh

your sitting upon it
has renewed it

gift given to me
you’ve enhanced
you’ve given to me again, anew

as if you’d worn it
beneath it, as bare as could be
then given it back

full of warmth, your body
full of spices, fragrances

this sort of gift


© Obediah Michael Smith, 2008
8:32 p.m. 23.04.08
Syllables Marbles
for Toni Styles

I am unable to recall
the moment separating
knowing you and not knowing you

the moment you crossed into
or did you leap into

the skipping rope of my beating heart

solution of my life
changed forever then

the composition of my blood altered

your big eyes and your small breasts
feasting and to feast on

fixing your hair, falling across your face,
with a finger

model retired at 23
whether or not on top of the world
whether or not on the cover of magazines

on my mind, always will be
since we, like water, fell over waterfalls

into one tributary to flow together
out to sea, to salt, to season creation
a different way


© Obediah Michael Smith, 2008
1 p.m. 27.04.08
Rod of Correction
for L.L.

convert her with dick
with it, put her back
push her back on track

upon her back, back upon
the heterosexual straight and narrow

correct what has gone
what had been, genetically
or otherwise, wrong

fix whatever wires had been
or had gotten crossed

within his dick running
the electricity

the right assortment of wires
the code of colors

let her feel this, feel dick

wake her out of her slumber
with her same sex,
sex with other women


he’d make her want a man
after an evening of intercourse
after an evening of fierce lovemaking
after an hour of hard core fucking

she’d know the difference between
a dick and a dildo

between hard cock and a cucumber


© Obediah Michael Smith, 2008
12:07 p.m. 27.04.08
Weep Weak
for A. A.

let me look her up
and down, lick her up
and down with my eyelashes
lashes like paint brushes
map her out from head to toe
make a copy for safekeeping
to keep where, keep when
I must journey without her nearby
without her to fill my eyes
like tears


© Obediah Michael Smith, 2007
7:16 a.m. 25.10.07
Boat Load
of Mangoes

so yellow-ripe
so yellow, right
ripe to pick

whose tree is it
she’s growing on

whose yard is it
she’s growing in

what if I went through the gate
what if there are barking dogs
what if there are biting dogs

how I hunger
for her mango
in my mouth
in my teeth


© Obediah Michael Smith, 2008
8:10 p.m. 26.04.08
No Gas Much Fresh Air
for D.V.H.

quite nice
very beautiful night

waves crashing, washing up
I alone walking along
the sidewalk

beside the seawall


© Obediah Michael Smith, 2007
8:38 p.m. 21.02.07

Saturday, April 26, 2008

The Wind
The Limbs
for T.L.C.

her poetry relaxes
opens legs

trustingly, trusting me
to be rough or gentle

I can suspend lines
can drape them
over my shoulders

like legs, like suspenders
to wear a while

for a while, besides them
she nor I attired
in anything more than

her moans and mine

“fuck me!” maybe
or some such expletive

or is that the next storey
another story

for now,
she relaxes her verse thighs

muscles once, not long ago
so full of tension
her attitude, one of resistance

acceptance fills her heart,
her body now

up to me to show
how gentle I can be

can fuck or kiss her pussy open

her legs apart for me to love her



© Obediah Michael Smith, 2008
8:35 a.m. 26.04.08

Friday, April 25, 2008

Brent Malone
for Marysa

her father is not her own, our father too

not only politicians have fathered the nation,
artists have too

at my mother's funeral, young people I did not know,
I'd never seen before, washed in tears

my eyes were dry

ashamed as well as baffled over these bereaved

I thought my mother's death, my family's loss
some others were as shaken as I was, some more

what tie had they which her death unraveled
falling like ribbons, falling like rain

her father is not her own, our father too

not only politicians have fathered the nation,
artists have too


© Obediah Michael Smith, 2006
4:09 p.m . 24.03.06

Thursday, April 24, 2008

Walk On Water
for C.D.

i.
I’m here now
near her now

I’m happy now

no address on this earth
in this universe
apart from her

away from her
I’m lost, adrift

I’ve drifted into the harbor
of her arms,
her thighs,
I’m home

ii.
I want to kiss you
somewhere
everywhere


kisses all over you
to locate myself

I want to locate myself in you

does the earth
upon its axis
spinning away
know where it is

in love
lost upon the spinning earth

with you alone
to guide me like a star

otherwise I am a petal
winding down


© Obediah Michael Smith, 2008
10:52 p.m. 23.04.08

Wednesday, April 23, 2008

Still Hot Still Wild
for N.T-B.

she’d let me go quick
like hot potato, like hot soup

had I not feet to stand on
I’d drop on the ground

delicious how she is
how she looks

she looks like licks
licking stick, tongue licks

to keep what drips
off the floor

from falling, draining

arms, legs, clothes of a child
soiled with ice cream
a child likes, licks

lollipop comes on sticks

I could lick her
until only sticks were left

as right as she is
as right as she looks


© Obediah Michael Smith, 2008
11:45 p.m. 23.04.08
Lines Drawn In Salt
for Lynn & Holly Parotti

among the paintings
the works of art, hanging
some swinging

the people walking about
breathing, conversing

beneath skin and skull
blood running, hearts booming
lungs expanding, contracting

upon the walls, the paintings hang
prints upon wires
from the ceiling, swinging

from somewhere, music,
as avant-garde as can be
just shy of annoying, persistent

some message to convey
in a vocabulary, unfamiliar to me

popping up in Popop
to whirl about
like words in my mouth
about to become a poem
out of the noise of the world

the order we make of disorder
of the chaos which creation is

but in this God-made universe
is chaos possible

must a chicken thrown up
not land upon its feet
as a cat must

whole school of fish
belly up in the water


© Obediah Michael Smith, 2008
9:05 p.m. 11.04.08

Tuesday, April 22, 2008

Am I Me Am I Changed
for Ambassador Ned Siegel
& Katherine Gibson

can I go back
to who I was
to how I was
to where I was

5:14 p.m.
meeting with Ambassador Siegel
over now

weeks since it was planned
how I’d anticipated it

how should I look
what should I wear
what shirt, what pants

should I shave
should I trim my hair

have I worth sufficient
to present him with
to be presented to him

what of the fabric
of which I myself am made
what of my intellect

I wondered about being too shabby
about what was appropriate
to appear in

about what I’d say
words, ideas

what am I worth
I’d been wondering
sufficient for such a meeting or not

what of his knowing
or discovering
how hungry I am to succeed
for success

our meeting’s over now
our exchange of gifts
camera flashed, clicked

can I go back now, relax
take off all I’d put on
in preparation

go back to how I was
to where I was
to who I was

or is my life forever changed
must examine my hands
my face in a mirror

am I transformed
metamorphosed
into something antithetical
to Kafka’s spider


© Obediah Michael Smith, 2008
5:27 p.m. 22.04.08

Sunday, April 20, 2008

Look A Job

i.
had a job to give her
for her to be on

wanted her to get on it
to get on with it

wanted her to start without delay

job he whipped up, whipped out
frightened her away

ii.
looking for a job
went to see her M.P.
only to find her M.P.
looking for a blow job


© Obediah Michael Smith, 2008

6:58 p.m. 20.04.08

Monday, April 14, 2008

Deconstructing Harry
for Hazelle Goodman

six billion of them
sitting and waiting
must keep these on hand

black body bags
one for every human being
for every member
of the human race

to each his own

no idea when it will be required
who will just drop dead, when

these bags like sandwich bags
designed to
designed with
zip lock

when we all get in
if we all got in

who would be left
to zip-lock us in


© Obediah Michael Smith, 2008
9:40 p.m. 07.04.08

Sunday, April 13, 2008

Our Word Cage
for T.L.C.

physically
she does not match my ideal
the empty space inside

for breasts and hips
for hands and feet

in spite of what seems inconsistent
how fierce what I feel

such persistent emotions
for one twenty-one

for this woman
as fierce as hell to fight with

been bitten, kicked,
clawed, clobbered, bruised

over the internet, black and blue

we meet, we hug
two other people

polite when we’re not, actually

we fight, we’ve fought
left marks

see our poems, anatomy of these

able to bite like Chow Chow,
like Chihuahua

able to bark, able to howl

I like bad weather
more than bad dogs

we squabble in cages made of words


© Obediah Michael Smith, 2008
6:27 a.m. 09.04.08
Well or Ill
for Tia

i.
her ability
to disconnect from things
I am glued to

Cheryl Albury about to read
Robert Johnson to follow
and she can, with her friend,
up and go

go where, I am left to wonder

is this not the moment
for a writer to be in

ii.
long to know you in person
as well as I know you online

over tea for two, from time to time

rhymed lines of poems
to immortalize you in

enough of poems to hold you with
to hold you in

I want to hold you like I hold my pen

shy one, eyes darting
this way, that way
as if to find confidence

confidence of your own
to fill your pen with
as well as heart, soul
to fill your well with

I’ve a bucket to fill
to drop with a splash
into your well water


© Obediah Michael Smith, 2008

part i. 4:06 p.m. part ii. 8:53 p.m.
05.04.08
April Poem
for A.H.

used to like to see her pussy
but she seldom shows it to me anymore

used to adore the design
its layers of lips
hair growing wild about it

I was wild about it
but she seldom lets me see
seldom shows it to me any more

was it withdrawn
because I genuflected, worshipped it
was I about to make an idol of it

wish I were able to kiss it
once or twice again

used to kiss it once or twice a week
oh how I miss it

she has not written in a while
or is she just withholding
what she writes from me

is her poetry for other eyes, not mine
was I too greedy
when she spread her pages

was her fear that I’d unplug, uproot
what she wrote

like a book’s two middle pages
you grab and rip off their hinges

large holes left
where there were
two pairs
staples made


in bed
why has she begun

to turn away from me

how difficult to bear her back to me
when I want some, when I want more

when she use to open willingly
for me to enter, to center myself in her


© Obediah Michael Smith, 2008
3:16 p.m. 13.04.08

Saturday, April 12, 2008

Picture You Bare
of Tia Clarke

she allows me to love her
after a fashion, to a certain degree

though she keeps me out, she also lets me in

I’ve broken in so often
my verse like a crow bar
she accepts that I’ll get in anyway
to be near her, to be with her

unable to live divided, too far apart,
for too very long

I’d long for her when I’m too far away
like now, hungry, thirsty, longing

tongue long for water, for her
to lap up, to lick into, to lick in two

don’t know what I’d do
were I allowed to love her

would I be gentle or would I be rough
how long would it be
before I had enough

I’d do whatever it took to satisfy her
wonder what she’d have an appetite for

could she eat a whole pie
with or without ice cream
apple or lemon meringue

I’d let the phone ring until she answered
until she hollered

I’d not stop until she cried out

her birthday up coming
what should I buy or supply her with

maybe a beach with all its waves
maybe a field full of butterflies, bees, flowers

bees to follow to their hives
I’d risk being stung to bring her back honey

my honey drips similarly, when I bite or sting her
she lives for such injuries

were I to leave my sting in her, like a bee,
I’d die

I’d enjoy dying inside her
being buried side by side
like Tristan und Isolde


© Obediah Michael Smith, 2008
4:21 a.m. 12.04.08

Friday, April 11, 2008

Guinep Thief
for S.R-S.

lips to kiss
lips to twist
with my own lips

lips I own
in addition
to my own

two front seats
to sit
to say goodbye


© Obediah Michael Smith, 2008
8:11 p.m. 11.04.08
Lucky Lines
for E.M.J.

what of bareness though
is it something we can bear

bareness near enough
would it not overwhelm us

all those yards of skin
enough to drown in
to go down in

is it not an outfit to avoid

other than its owner
who else can bareness fit

bare breasts
bare thighs
bare hips


© Obediah Michael Smith, 2008
4:20 a.m. 11.04.08

Saturday, April 05, 2008

Doongalik Check
for Jackson & Pam

i.
like a bottle of wine
or juice or soda
mouth approaches mouth

he’s going to empty her
or she might empty him

or he’ll half-drink her
and she’ll half-drink him

for certain
they’ll both be drunk

drunk already
on what they have in mind
on what they intend to do

with lips, with nakedness
with hands to roam

over sweaty Heineken Beers

ii.
great big woman
like a thick blanket
for a thick man to hold on to

in the thick
in the dead of winter
in the dead of night

dead weight to lift
threshold to cross
into eternal bliss

iii.
Haitian presence, Haitian presents
unlike Santa’s, arriving perennially

iv.
and what is this scratch for
what has this scratch done
to or for or against my rhythm

more into it or more out of it
more deeply alive
or am I about to die

swift scratch, self-inflicted
what if I am or if it is infected

no antiseptic near enough at hand
to reverse what damage has been done

back of this pin DEVOTED
with heart and cross
intended for salvation

back of it off
scratched across

am I doomed
am I damned


© Obediah Michael Smith, 2008
6:10 p.m. 04.04.08

Thursday, April 03, 2008

POUI
for S.R-S.

poo you
poo me

your poo
for me to pick the petals off
pick the petals of

she loves me
she love me not

until all the petals pop
or until they drop

poui petals in Barbados
in April for my lady
to pick up

she likes
what's soft
what's pretty

pink or lavender
paint for flowers

she paints
fingernails, toenails
rose red
wears nothing more

picks up poui petals
on her way to Mass
dress up to worship

© Obediah Michael Smith, 2008
1:01 a.m. 03.04.08

Wednesday, April 02, 2008

Ass Lickers
Pussy Lickers
for Cherese Pratt

hips are lips

is that your image
or is it mine
to do something with

in a poem, on the toilet
or in bed

I remember reflecting
somewhere, some time ago
upon the mouth
how it’s laid out, east to west

compared with
a woman’s opening
a woman’s front

how it’s laid out
how it’s made, north to south

I allowed myself
these lines, extended,
to form a cross

and thought of sweetness
coupled with the crucifixion

think of the hips,
the great big lips these are
or are sometimes

and though they are like lips,
unlike lips, they, like vulvas
are laid out vertically also

and I wonder about
our creator’s infinite wisdom

wonder how eating
or intercourse,

giving birth or defecating
would have differed

were what is horizontal, vertical

or what if all three of these
were instead slanted

to right or left
as a mouth at times is
after a stroke

after some accident

or all three, slanted
or made crooked
with old age


© Obediah Michael Smith, 2008
2:24 p.m. 02.04.08

Tuesday, April 01, 2008

Wendy
Other
Women
for t.l.c.

how very impolite
not very bright

though self-righteous
often not right

know it’s not right
but how very badly
I wish to visit Wendy’s

one on Bernard Road
near the roundabout

long to spend time there
with my books to read
with my pen and my pad

with a burger and fries
with a salad and chili
with o.j. on the side

watching people come and go
in that lovely
plastic atmosphere

in clean plastic air

addicted, I miss it
like an alcoholic

always recovering
however long
without a drink
without a sip

girl I was telling off
I’m in love with
she treats me like shit


© Obediah Michael Smith, 2008
1:15 p.m. 01.04.08