for D.B.A.
i.
unable to find to say what is safe
unsafe to say what you must say
with panties off
dentures to extract not to cause harm
or alarm
this is a scene from what event
what scene before the one this still is from
and what came after
Roger Corman
and those films of Pam Grier
awesome women in prison
fighting with one another
with corrupt prison guards
in mud, wrestling
in “The Arena” you get to see
Pam Grier's bushy pussy hairs
made bare
with other women prisoners
to be washed
with water from a bucket
splashed on them
it is back in Rome
we are back in Rome
they are back in Rome
when gladiators roamed
and in the coliseum
contested to the death
while an audience watched
and cheered
back to baby doll, in baby doll skirt
made exclusively of ruffles
her black skirt and her white top
fitted to her, fitting her, outfitting her
these against the warm as cake
just out of the baker brownness
of her skin
I'd be a guard gladly
in a correctional institution
with her inside, locked away
for no crime she committed
I'd set her free
every chance I got
I'd be her prisoner gladly
in this photo of her
I'd be the board behind the bars
just to be near her
ii.
it is language to which
you have access
it is this that is the privilege
school rooms, class rooms
these to enter
one sort of thing
where it's at
within the doors
that words can open
that words can close
hard to open and heavy
for who's unlucky
or are not able to find keys
or do not know the combinations
or are unable to learn them
it is within the language
where the privileged go
or come and go
stay or leave
as freely as they wish to
or not to
it is not the school, the walls
it never was
whatever the address
or the summit upon which
it rests
it is the language access
ability to, with words, make world
and to make new worlds
use words to break apart
to rend asunder
what excludes us
if we/when we want to enter
if our rightful place is inside
words and pens
to depend upon
instead of bullets rifles
bombs
iii.
much about her
I find disconcerting
much about her
I am unable to relate to
how strong she is able
to come on
instead of flattered
appreciative, I turn off
step back, withdraw
cappuccino cup, of paper made
to put a poem on in pink
marker all I have to express
these thoughts, feelings
misgivings
iv.
love the sounds the seagulls make
their squawking
sea gulls talking
v.
how Portia faces life without me
I wish I knew
how I've faced life without her
equally a mystery
I've had poetry, written of her
of times in love
of intimate times
no more than a customer
and a waitress
in a restaurant
but what times they were
connected
like something to something
the way a hose
connects to a faucet
to be turned on
© Obediah Michael Smith, 2010
Written on Friday, March 26, 2010
between 2:10 p.m. and 9 p.m.
2 Comments:
The phrase "in a restaurant" sounds as if it should be on the next line. But this is truly a masterpiece. How it is a poet's duty to go beyond the border, the board, the bars and be free.
The struggle was not in vain. Every line is not written in vain. It is a (criminal) record.
I am appreciative.
Oh, D'Anthra, your "(criminal) record" metaphor, I am only now realizing how very apt it is. It is certainly a matter of brilliance. You do do some amazing things intellectually, I have come to realize. You do belong among or are among the thinkers of this world.
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